A Zherong paper-cutting work. [Photo/fujian-szwhg.chaoxing.com]

Zherong paper-cutting, a traditional art form originating in Zherong county, Ningde city, Fujian province, dates back to the Tang Dynasty (618-907). Recognized as an extension of the traditional fine arts category on China's second national list of intangible cultural heritage representative items, it was inscribed in 2009 as a sub-category of "Chinese Paper-Cutting" on UNESCO's Representative List of the Intangible Cultural Heritage of Humanity.

Zherong folk paper-cutting preserves distinctive features of Central Plains culture, characterized by its primitive simplicity, boldness, and freehand expression. Its primary forms include window decorations, ceremonial flowers, wedding motifs, and embroidery patterns for shoes and hats.

Other works depict diverse subjects such as pottery vessels, flora and fauna, ancient figures, and legendary tales — all rendered with exquisite detail and rich variety. These creations vividly express the artisans' optimistic spirit and their yearning for a better life.

Most Zherong paper-cutting artists inherit their skills matrilineally — learning from mothers and sisters-in-law — resulting in diverse expressive techniques without standardized patterns. The art requires only simple tools: a pair of scissors, red paper, and a woven basket.

Artists often use the method of symmetrical layout and mutual connection of objects in full-frame display, as well as the technique of overlapping planes to decorate the main image with exquisite patterns. This approach makes the image vivid, highly decorative, and rich in regional flavor, while also enhancing the fullness of the picture, improving the expressiveness and viewing experience of paper-cutting.

Today, young paper-cutting artists are striving to innovate while preserving the traditional techniques and styles of their predecessors. By actively entering the market, they are ensuring continued inheritance and development of traditional Zherong paper-cutting.